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Absurdist fiction is a genre of literature, most often employed in novels, plays, or poems that focuses on the experiences of characters in a situation where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events. Common elements in absurdist fiction include satire, dark humour, incongruity, the abasement of reason, and controversy regarding the philosophical condition of being "nothing." Works of absurdist fiction often explore agnostic or nihilistic topics. While a great deal of absurdist fiction may be humorous or irrational in nature, the hallmark of the genre is neither comedy nor nonsense, but rather, the study of human behavior under circumstances (whether realistic or fantastical) that appear to be purposeless and philosophically absurd. Absurdist fiction posits little judgment about characters or their actions; that task is left to the reader. Also, the "moral" of the story is generally not explicit, and the themes or characters' realizations—if any —are often ambiguous in nature. Additionally, unlike many other forms of fiction, absurdist works will not necessarily have a traditional plot structure (i.e., rising action, climax, falling action, etc.). The absurdist genre grew out of the modernist literature of the late 19th and early 20th century in direct opposition to the Victorian literature which was prominent just prior to this period. It was largely influenced by the existentialist and nihilist movements in philosophy, and the Dada and surrealist movements in art.
Industry:Literature
A parallel universe or alternative reality is a hypothetical self-contained separate reality coexisting with one's own. A specific group of parallel universes is called a "multiverse", although this term can also be used to describe the possible parallel universes that constitute reality. While the terms "parallel universe" and "alternative reality" are generally synonymous and can be used interchangeably in most cases, there is sometimes an additional connotation implied with the term "alternative reality" that implies that the reality is a variant of our own. The term "parallel universe" is more general, without any connotations implying a relationship, or lack of relationship, with our own universe. A universe where the very laws of nature are different – for example, one in which there are no Laws of Motion – would in general count as a parallel universe but not an alternative reality. The correct quantum mechanical definition of parallel universes is "universes that are separated from each other by a single quantum event."
Industry:Literature
Romantic fantasy is a subgenre of fantasy fiction, describing a fantasy story using many of the elements and conventions of the romance genre. One of the key features of romantic fantasy involves the focus on relationships, social, political, and romantic. Romantic fantasy has been published by both fantasy lines and romance lines. Some publishers distinguish between "romantic fantasy" where the romance is most important and "fantasy romance" where the fantasy elements are most important. Others say that the borderline between fantasy romance and romantic fantasy has essentially ceased to exist, or if it's still there, it's moving back and forth constantly.
Industry:Literature
Vampire literature covers the spectrum of literary work concerned principally with the subject of vampires. The literary vampire first appeared in 18th century poetry, before becoming one of the stock figures of Gothic fiction with the publication of Polidori's The Vampyre (1819), which was inspired by the life and legend of Lord Byron. Later influential works include the penny dreadful Varney the Vampire (1847); Sheridan Le Fanu's tale of a lesbian vampire, Carmilla (1872) and the masterpiece of the genre: Bram Stoker's Dracula (1897). In later years, vampire stories have diversified into areas of crime, fantasy, science fiction or even chick-lit. While fanged revenants are the norm, newer representations include aliens and even plants with vampiric abilities. Others feed on energy, rather than blood.
Industry:Literature
一艘船公司不須服務手錶的成員。這些一般是木匠和 sailmaker 等專業技工。
Industry:Boat
在哪裡,從桅杆上的一些點,瞭望台可以看到以上低說謊的霧,信封船的黎明時刻。
Industry:Boat
航海儀器顯示了地球的地理兩極或磁極船隻的方向。通常由組成的磁鐵與地球的磁場,對齊,但其他技術也開發了,如羅盤。
Industry:Boat
適用于一線或晶石,防止或減少火鍋的材料。見 Baggywrinkle。
Industry:Boat
用於壓膠殼的材料。經常麻從舊無撚繩索摘的。
Industry:Boat
測量精度在船上磁羅盤所以可以調整其讀數-經常轉動船上,並考慮軸承上的參考點。
Industry:Boat
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