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Apocalypticism is the religious belief that there will be an apocalypse, a term which originally referred to a revelation of God's will, but now usually refers to belief that the world will come to an end time very soon, even within one's own lifetime. This belief is usually accompanied by the idea that civilization will soon come to a tumultuous end due to some sort of catastrophic global event.
Apocalypticism is often conjoined with esoteric knowledge that will likely be revealed in a major confrontation between good and evil forces, destined to change the course of history. Apocalypses can be viewed as good, evil, ambiguous or neutral, depending on the particular religion or belief system promoting them. They can appear as a personal or group tendency, an outlook or a perceptual frame of reference, or merely as expressions in a speaker's rhetorical style.
Industry:Literature
Apocalyptic fiction is a sub-genre of science fiction that is concerned with the end of human civilization. This apocalypse is typically portrayed as being due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, runaway climate change, resource depletion, ecological collapse, or some other general disasters. Post-apocalyptic fiction is set in a world or civilization after such a disaster. The time frame may be immediately after the catastrophe, focusing on the travails or psychology of survivors, or considerably later, often including the theme that the existence of pre-catastrophe civilization has been forgotten (or mythologized). Post-apocalyptic stories often take place in a non-technological future world, or a world where only scattered elements of technology remain.
The genre gained popularity after World War II, when the possibility of global annihilation by nuclear weapons entered the public consciousness. However, recognizable apocalyptic novels had existed since the first quarter of the 19th century, when Mary Shelley's The Last Man was published.
Industry:Literature
Apologetics is the discipline of defending a position (often religious) through the systematic use of information. Early Christian writers (c. 120–220) who defended their faith against critics and recommended their faith to outsiders were called apologists.
Industry:Literature
Apocrypha are statements or claims that are of dubious authenticity. The word's origin is the medieval Latin adjective apocryphus, "secret, or non-canonical", from the Greek adjective ἀπόκρυφος (apocryphos), "obscure", from verb ἀποκρύπτειν (apocryptein), "to hide away".
It is commonly applied in Christian religious contexts involving certain disagreements about biblical canonicity. The pre-Christian-era Jewish translation (into Greek) of holy scriptures known as the Septuagint included the writings in dispute. However, the Jewish canon was not finalized until at least 100–200 years into the A.
D., at which time considerations of Greek language and beginnings of Christian acceptance of the Septuagint weighed against some of the texts. Some were not accepted by the Jews as part of the Hebrew Bible canon. Over several centuries of consideration, the books of the Septuagint were finally accepted into the Christian Old Testament, by A.
D. 405 in the west, and by the end of the fifth century in the east. The Christian canon thus established was retained for over 1,000 years, even after the 11th-century schism that separated the church into the branches known as the Roman Catholic and Eastern Orthodox churches.
Those canons were not challenged until the Protestant Reformation (16th century), when both the Roman Catholic and Eastern Orthodox Churches reaffirmed them. The reformers rejected the parts of the canon that were not part of the Hebrew Bible and established a revised Protestant canon. Thus, concerning the Old Testament books, what is thought of as the "Protestant canon" is actually the final Hebrew canon. The differences can be found by looking here or by comparing the contents of the "Protestant" and Catholic Bibles, and they represent the narrowest Christian application of the term Apocrypha.
Among some Protestants, apocryphal began to take on extra or altered connotations: not just of dubious authenticity, but having spurious or false content, not just obscure but having hidden or suspect motives. Protestants were (and are) not unanimous in adopting those meanings. The Church of England agreed, and that view continues today throughout the Lutheran Church, the worldwide Anglican Communion, and many other denominations. Whichever implied meaning is intended, Apocrypha was (and is) used primarily by Protestants, in reference to the books of questioned canonicity. Catholics and Orthodox sometimes avoid using the term in contexts where it might be considered disputatious or be misconstrued as yielding on the point of canonicity. Very few Protestant published Bibles include the apocryphal books in a separate section (rather like an appendix), so as not to intermingle them with their canonical books.
Explaining the Eastern Orthodox Church's canon is made difficult because of differences of perspective with the Roman Catholic church in the interpretation of how it was done. Those differences (in matters of jurisdictional authority) were contributing factors in the separation of the Roman Catholics and Orthodox around 1054, but the formation of the canon was largely complete (fully complete in the Catholic view) by the fifth century, six centuries before the separation. In the eastern part of the church, it took much of the fifth century also to come to agreement, but in the end it was accomplished. The canonical books thus established by the undivided church became canon for what was later to become Roman Catholic and Eastern Orthodox alike. The East did already differ from the West in not considering every question of canon yet settled, and it subsequently adopted a few more books into its Old Testament. It also allowed consideration of yet a few more to continue not fully decided, which led in some cases to adoption in one or more jurisdictions, but not all. Thus, there are today a few remaining differences of canon among Orthodox, and all Orthodox accept a few more books than appear in the Catholic canon. Protestants accept none of these additional books as canon either, but see them having roughly the same status as the earlier Apocrypha. As Protestant awareness of the Eastern Orthodox increases in nations like the United States, interest in the full Orthodox canon might also increase enough for them to be published in the Apocrypha of some Protestant Bibles. That is not common yet in 2013, so they are not as widely available in English.
Before the fifth century, the Christian writings that were then under discussion for inclusion in the canon but had not yet been accepted were classified in a group known as the ancient antilegomenae. These were all candidates for the New Testament and included several books which were eventually accepted, such as: The Epistle to the Hebrews, 2 Peter, 3 John and the Revelation of John (Apocalypse). None of those accepted books can be considered Apocryphal now, since all Christendom accepts them as canonical. Of the uncanonized ones, the Early Church considered some heretical but viewed others quite well. Some Christians, in an extension of the meaning, might also consider the non-heretical books to be "apocryphal" along the manner of Martin Luther: not canon, but useful to read. This category includes books such as the Epistle of Barnabas, the Didache, and The Shepherd of Hermas which are sometimes referred to as the Apostolic Fathers.
Industry:Literature
An archenemy, archfoe, archvillain or nemesis (sometimes spelled arch-enemy, arch-foe or arch-villain originated around the mid-16th century) is the principal enemy of someone or something. In fiction, it is a character who is the hero/protagonist's worst enemy.
The word archenemy or arch-enemy originated around the mid-16th century, from the words arch- (from Greek "arkhos" meaning "most important") and enemy.
Industry:Literature
A number of cyberpunk derivatives have become recognized as distinct subgenres in speculative fiction. These derivatives, though they do not share cyberpunk's computers-focused setting, may display other qualities drawn from or analogous to cyberpunk: a world built on one particular technology that is extrapolated to a highly sophisticated level (this may even be a fantastical or anachronistic technology, akin to retro-futurism), a gritty transreal urban style, or a particular approach to social themes.
American author Bruce Bethke first coined the term "cyberpunk" in his 1980 short story of the same name, proposing it as a label for a new generation of punk teenagers inspired by the perceptions inherent to the Information Age. The term was quickly appropriated as a label to be applied to the works of William Gibson, Bruce Sterling, John Shirley, Rudy Rucker, Michael Swanwick, Pat Cadigan, Lewis Shiner, Richard Kadrey, and others. Science fiction author Lawrence Person, in defining postcyberpunk, summarized the characteristics of cyberpunk thus:The relevance of cyberpunk as a genre to punk subculture is debatable and further hampered by the lack of a defined cyberpunk subculture; where the small cyber movement shares themes with cyberpunk fiction and draws inspiration from punk and goth alike, cyberculture is much more popular though much less defined, encompassing virtual communities and cyberspace in general and typically embracing optimistic anticipations about the future. Cyberpunk is nonetheless regarded as a successful genre, as it ensnared many new readers and provided the sort of movement that postmodern literary critics found alluring. Furthermore, author David Brin argues, cyberpunk made science fiction more attractive and profitable for mainstream media and the visual arts in general.
Industry:Literature
An author is broadly defined as "the person who originated or gave existence to anything" and whose authorship determines responsibility for what was created. Narrowly defined, an author is the originator of any written work and can also be described as a writer.
Industry:Literature
An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or academics in any medium. Audience members participate in different ways in different kinds of art; some events invite overt audience participation and others allowing only modest clapping and criticism and reception.
Media audience studies have become a recognized part of the curriculum. Audience theory offers scholarly insight into audiences in general. These insights shape our knowledge of just how audiences affect and are affected by different forms of art. The biggest art form is the mass media. Films, video games, radio shows, software (and hardware) and other formats are affected by the audience and its reviews and recommendations.
In the age of easy Internet participation and citizen journalism, professional creators share space, and sometimes attention, with the public. American journalist Jeff Jarvis has said, "Give the people control of media, they will use it. The corollary: Don't give the people control of media, and you will lose. Whenever citizens can exercise control, they will." Tom Curley, President of the Associated Press, similarly said, "The users are deciding what the point of their engagement will be — what application, what device, what time, what place."
Industry:Literature
An autobiographical novel is a form of novel using autofiction techniques, or the merging of autobiographical and fiction elements. The literary technique is distinguished from an autobiography or memoir by the stipulation of being fiction. Because an autobiographical novel is partially fiction, the author does not ask the reader to expect the text to fulfill the "autobiographical pact." Names and locations are often changed and events are recreated to make them more dramatic but the story still bears a close resemblance to that of the author's life. While the events of the author's life are recounted, there is no pretense of exact truth. Events may be exaggerated or altered for artistic or thematic purposes.
Novels that portray settings and/or situations with which the author is familiar are not necessarily autobiographical. Neither are novels that include aspects drawn from the author’s life as minor plot details. To be considered an autobiographical novel by most standards, there must be a protagonist modeled after the author and a central plotline that mirrors events in his or her life.
Novels that do not fully meet these requirements or are further distanced from true events are sometimes called semi-autobiographical novels.
Many novels about intense, private experiences such as war, family conflict or sex, are written as autobiographical novels.
Some works openly refer to themselves as 'nonfiction novels.' The definition of such works remains vague. The term was first widely used in reference to the non-autobiographical In Cold Blood by Truman Capote but has since become associated with a range of works drawing openly from autobiography. The emphasis is on the creation of a work that is essentially true, often in the context of an investigation into values or some other aspect of reality. The books Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig and The Tao of Muhammad Ali by Davis Miller open with statements admitting to some fictionalising of events but state they are true 'in essence.'
Industry:Literature
An autobiography is a written account of the life of a person written by that person.
Industry:Literature
