Defined by Carlyle "as an 'apocalypse of nature,' a revealing of the 'open secret,' a 'continuous revelation' of the God-like in the terrestrial and common, which ever endures there, and is brought out now in this dialect, now in that, with various degrees of clearness ... there being touches of it (i. e. the God-like) in the dark stormful indignation of a Byron, nay, in the withered mockery of a French sceptic, his mockery of the false, a love and worship of the true ... how much more in the sphere harmony of a Shakespeare, the cathedral music of a Milton; something of it too in those humble, genuine, lark-notes of a Burns, skylark starting from the humble furrow far overhead into the blue depths, and singing to us so genuinely there."